Sunday, August 4, 2019
The Voice of Billie Holiday Essay -- Exploratory Essays Research Paper
The Voice of Billie Holiday     à     à  Ã  Ã   A woman stands  before you, and although she isn't a politician, she expresses her moving  thoughts on issues that affect all Americans. Her voice isn't harsh or demanding  in tone. Her stature is slender and traced in a shimmer of light that reflects  from her dress. A southern magnolia is lying comfortably above her ear. She  sings. She sings of incomprehension, of hate, and of a race's pain. She sings  low and confused. She sings as "Our Lady of Sorrow"(Davis 1), a representation  of a whole people torn and discriminated against.à   And though her speech is  not spoken, she moves a crowd, one that gathers into many. Billie Holiday comes  to prove that one woman's voice, singing one song, that calls awareness to one  issue of society, can change the world.      à       à  Ã  Ã  Ã  Ã   Music has come to shape our  views of society, love, race, and creed. We can all remember a time when a song  evoked an emotion. The song seemed to express every feeling within us. The  artist sang the words we longed to say, and the music expressed all the things  we couldn't speak. At the same time, music can help express the things we don't  understand in life, creating a bridge between differences. Music of a different  artist can represent the point of view of someone that you don't understand,  that looks at you funny, dresses different, speaks oddly, and believes something  you don't. Music can express the emotions you feel, and the emotions that  someone else feels.. Ray Charles once said, "Thank God for music, it was a  salvation"(Keep on Pushing). Music is emotion: whether rage, love, lust, hate or  confusion, music teaches us that our views fall within the same staff as the  views of those we don't understand.  ...              ...      <www.nytimes.com/books/98/03/08/reviews/980.08davist.html.>.     Davis, Francis. "Our Lady of Sorrows." 2000. 9 Nov. 2001.       <www.theatlantic.com/issues/2001/11/davis.htm>.     Ellis, James. "Black Female Jazz Artists and Race and  Gender Conscious Protest: Billie Holiday, Ella Fitzgerald." 12 Nov 2001.  <www.wam.edu/~ellisj/news_femalejazz.htm>.     Foley, Jack. David Marolick, Strange Fruit: Billy Holiday,  Cafà © Society, and an Early      Cry for Civil Rights. The Alsop Review. Running Press. 9  Nov. 2001. à  Ã  Ã  Ã  Ã    <www.alsopreview.com/foley/jfmargolick.html>.     Keep on Pushing: Say it Loud. VH1 Productions, 2001.     Margolick, David. "Strange Fruit: A Song that Reverberates  in the American Soul." 14      Nov. 2001.  <www.qkw.com/racematters/nytarchjb218.htm>.     à       à       à       à       à       à       à       à       à       à       à                        
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